In an interview with Vodzilla, Denis Villeneuve defined the artistic course of whereas capturing most of “Enemy,” which concerned tons of improvisation and “a managed atmosphere” the place the actors, notably Jake Gyllenhaal, might safely arrive at breakthrough character moments. Whereas there was freedom to improvise, a whole lot of the script was painstakingly structured, including precision to the characters and their motivations. Primarily, there’s a methodology to the insanity on a Denis Villeneuve set, which allowed him and cinematographer Nicolas Bolduc to work carefully with the actors. He mentioned:
“Many of the film is shot in a studio, a really managed atmosphere … the scenes have been very exact, however I wished to improvise with the actors loads and I did tons of takes. I used to be doing 25, 35, 40 takes with Jake Gyllenhaal making an attempt to discover a deeper method, to go within the verge of chaos and discover a new method of performing. For that, I made a decision there can be no marks on the ground, the actors can be free within the atmosphere and we labored with a little bit crane that was in a position to comply with their actions.”
As an alternative of fostering an atmosphere through which actors must comply with exact directorial directions and unwillingly take part in a number of takes, Villeneuve made certain that there was ample room for collaboration and inventive breakthrough. Because the digicam largely adopted Gyllenhaal, the scenes have been lit in a method that allowed him to “discover [his] personal gentle,” granting him company by way of character portrayal. Furthermore, whereas the storytelling was minutely managed by Villeneuve, he was open to “exploring new methods of directing” when it got here to collaborating with Gyllenhaal and the remainder of the actors. This balanced course of, which inspired each construction and lawlessness, allowed “Enemy” to morph into the intellectually-stimulating fever dream of a film it’s.